Saturday, November 23, 2019

3 life lessons from the making of this Hollywood blockbuster

3 life lessons from the making of this Hollywood blockbuster3 life lessons from the making of this Hollywood blockbusterThe 27-year-old director had a major problem in his hands.The star of his movie, Bruce, welcheshigh maintenance - even by Hollywood standards. Bruce was a mechanical shark, lovingly named after the directors lawyer. But the shark couldnt do the one thing he was built to do swim properly. On his first day on the set, he sank to the bottom of the water. Within a week, his electric motor malfunctioned. Even after a good day, Bruce had to be drained, scrubbed, and repainted to get ready for filming - requiring the type of pampering rarely expected by movie stars.The director then did what all directors wish they could do to an over-demanding and under-performing actor He fired the shark. I had no choice but to figure out how to tell the story without the shark, he explained. As he faced this major constraint, he asked himself, What would Hitchcock do in a situation li ke this? The answer gave him a stroke of inspiration that helped him convert a landseemingly insurmountable obstacle into a blockbuster opportunity.Inthe opening sceneof the movie, Chrissy decides to go for a moonlight dip. As shes swimming along, shes suddenly pulled under water and yanked around, while gasping for breath and screaming for help. The focus is on Chrissy, and the villain is nowhere to be seen. The monster is left entirely to the imagination of the audience, which doesnt get a good look at the shark until the third act. This omission ultimately produced a constant state of anxiety in the audience, boosted by the ominous theme music (da-dum . . . da-dum . . . da-dum-da-dum-da-dum).The movie, as you probably guessed, wasJaws, and its director was a young Steven Spielberg.Jawsbecame the first movie ever to top $100 million at the box office.I love this story in part because it marries three different principles that Ive written about in the past.First, constraints like t he one that Spielberg faced are supposed to be detrimental to our work. How are you supposed to film a shark movie without the shark? But, asJawsillustrates,constraints can boost, rather than undermine, creativity. The opposite can also be true If Spielberg had a well-functioning shark to work with, the ingredient that made the movie most memorable would be missing.Second, when Spielberg was deciding what to do, he asked himself, What would Hitchcock do in a situation like this? Notice what he didnotdo. He didnt call Hitchcock to ask if old Alfredwould be willing to mentor him. He didnt say, Al, Ive got a broken shark. What do you think I should do? Spielberg had studied the masters of his field so carefully that he knew exactly what Hitchcock would do without having to pick up the phone. Spielbergs mentors were all around him - in the movies that lined the shelves of his film collection - and he knew how to open his eyes to channel their power.Finally, in hiding the shark from vi ew for much of the movie, Spielberg applied a principle that many of us neglect What we dont see is scarier than what we do see.From a human perspective, not all facts are equal. We tend to incessantly focus on the facts in front of us andneglect other factsthat may be hidden in a blind spot. But contrary to popular wisdom, what you dont see or know can hurt you. In focusing on the facts in front of us, we dont focus enough - or at all - on the missing facts, which can be far more important than whats right in front of us. As the focal facts scream their 100-decibel sirens for attention, we neglect to ask, What am I not seeing? What fact should be present, but is not?Next time, before you jump to a confident conclusion, check your blind spot.Youll see sharks lurking there.Ozan Varol is a rocket scientist turned law professor and bestselling author.Click hereto download a free copy of his e-book, The Contrarian Handbook 8 Principles for Innovating Your Thinking. Along with your fre e e-book, youll get the Weekly Contrarian - a newsletter that challenges conventional wisdom and changes the way we look at the world (plus access to exclusive content for subscribers only).Thisarticlefirst appeared onOzanVarol.com.

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